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All art is but imitation of nature.

- Seneca, Epistles

flying


3. 共享資源 Goodies


3.1 Free Reference Guides for Video Production 


Remarks
This is not a mirror site for the following freewares. Only the URL of their official web-sites are provided. Please read our disclaimer before visiting them. If you are interested in any of the freewares  listed below, explore its functionality and read the licence before you start the installation. Or you may click the following url to visit our blog where we give a brief introduction to the origin and rationale of freeware, especially those released under GPL.:

All of the freewares are supposed to be run on wintel machines or compatible. However, some softwares may have versions working on other plateforms. Again, explore and enjoy them by your own self.

Index

3.1 Free Reference Guide for Video Production


Forward

Multimedia have been a newly emerged form of artistic presentation since the wide application of digital technology in the production  and presentation of performance arts. Further development was made when internet as a new channel of communitcation extending its network to every part of the world.  The following is the wikipedia's definition of multimedia:

"Multimedia is media and content that uses a combination of different content forms. The term can be used as a noun (a medium with multiple content forms) or as an adjective describing a medium as having multiple content forms. The term is used in contrast to media which only use traditional forms of printed or hand-produced material. Multimedia includes a combination of text, audio, still images, animation, video, and interactivity content forms.

Multimedia is usually recorded and played, displayed or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia (as an adjective) also describes electronic media devices used to store and experience multimedia content. Multimedia is similar to traditional mixed media in fine art, but with a broader scope. The term "rich media" is synonymous for interactive multimedia. Hypermedia can be considered one particular multimedia application."

Because the format of data must be compatible to the internet transmission technology and size small enough to reduce the chance of data traffic jamming. At the beginning, a number of vendors developed and offered the market their own proprietory formats, standards and compression alogorithm (or codec) intended for the domination of the new market. As we always insist, the chaos can only be ended in line with the interest of the general public  if there is an open standard and codec serving as a common plateform for all service providers to compete with each other. On the other hand, the knowledge of customer is critical to the healthy development  of the market. Every penny spending on the product using open standard and technolgy is a vote for the open and fair competition of the industry. We would like to contribute to promote the knowledge of general public in the format, standard and codec of multimedia now and in the future. Click the following URLs for our free information.



Digital Video File Format Comparision

Format
VCD
SVCD
DVD
HDDVD
HDTV
(WMVHD)
AVI
DivX
XviD
WMV
MOV
Quick-
Time
RM
Real-
Media
AVI
DV
Resolution
NTSC/PAL
352x240
352x288
480x480
480x576
720x480²
720x576²
1920x1080²
1280x720²
640x480² 640x480² 320x240² 720x480
720x576
Video
Compression
MPEG1
MPEG2
MPEG2, MPEG1
MPEG2
(WMV-
MPEG4)
MPEG4
Sorenson, Cinepak, MPEG4 ...
RM
DV
Video bitrate
1150kbps
~2000kbps
~5000kbps
~20Mbps
(~8Mbps)
~1000kbps
~1000kbps
~350kbps
25Mbps
Audio
Compression
MP1
MP1
MP1, MP2, AC3, DTS, PCM MP1, MP2, AC3, DTS, PCM MP3, WMA, OGG, AAC, AC3 QDesign Music, MP3 ... RM DV
Audio bitrate
224kbps
~224kbps
~448kbps
~448kbps
~128kbps
~128kbps
~64kbps
~1500kbps
Size/min
10
MB/min
10-20
MB/min
30-70
MB/min
~150MB/min
(~60MB/min)
4-10
MB/min
4-20
MB/min
2-5
MB/min
216MB/min
Min/74min CD
74min
35-60min
10-20min ~4min
(~10min)
60-180min 30-180
min
120-300
min
3min
Hours/DVD
N/A
N/A
1-2hrs
(2-5hrsª)
~30min
(~1hrs)
7-18hrs 3-18hrs 14-35hrs 20min
Hours/
DualLayerDVD
N/A
N/A
2-4hrs
(5-9hrsª)
~55min
(~2hrs)
13-30hrs 6-30hrs 25-65hrs 37min
DVD Player Compatibility
Great Good Excellent None Few None None None
Computer CPU Usage
Low High Very High Super high Very High High Low High
Quality
Good Great* Excellent* Superb* Great* Great* Decent* Excellent
kbps = thousand bits per second
Mbps = million bits per second
² approximately resolution, it can be higher or lower
~ approximately bitrate, it can be higher or lower
ª DVD with lower video quality, similiar to VCD/SVCD video quality
* the video quality depends on the bitrate and the video resolution, higher bitrate and higher resolution generally means better video quality but bigger file size

Credit 鳴謝

Credit and thanks are hereby granted to all those vendors, their colleagues and collaborating voluntary programmers who contribute their works to the general public for free.

Reference:
<http://en.wikipedia.org/wiki/Video_codec>
<http://en.wikipedia.org/wiki/Video_compression>
<http://en.wikipedia.org/wiki/Video_quality>
<http://en.wikipedia.org/wiki/Data_compression>
<http://en.wikipedia.org/wiki/List_of_codecs>
<http://en.wikipedia.org/wiki/Video>
<http://www.fp.utm.my/projek/psm/juzclick/editpage.asp>
<http://www.videohelp.com/oldguides/comparison>

Our Belief in Sharing

After releasing our stock photos for public sharing for more than 1 year, we consolidate our belief in our move to embrace free licence. Last year we released our calendar under creative common licence but we decided to releasae our works under our own free licence for some considerations. Now it's time for us to tell the public our thinking.

Someone claim that the majority of people may enjoy wealth generated from their creative work. So our legislators  have drafted and passed a series of law for the protection of intellectual property. However, under the copyright ordinance, we cannot be sure if a piece of work is allowed to be copied, shared, distributed, reproduced or modified without a complete knowledge about the details of license even though we are willing to pay for the use of it. For the peace of mind, we must create everything from the very beginning together with a thorough prior art search confirming that there is no similar wrok in the world.  However, the new ordinances have not helped too much in protecting our creative works. Customers, including government departments, are expecting "free  demo design service" early  in the stage of tendering quotation for jobs involving the elements of creation.    

The problem is not limited to this. Nobody is able to tell if his idea would coinside with someone living and working in elsewhere of the world. This intrinsic defect of the so-called intellectual property have given rise to the overwhelming rent seeking activities of a group of professional litigators who take advantages from champerty and maintenance. These brave new ordinances, to some extent, have legalized their legal extortion from innocent people. In Hong Kong, their victims are mainly SMEs, especially small retailers or service providers. It's hard for outsiders to imagine how and why a lawful and well disciplined retailer keep receiveing legal letters from prominent law firms representing prominent content providers or trademark owners claiming hundred thousands dollars for the infringement of copyright just for selling stationery of dollars and cents only because it  is deemed by these smart heads to be "too similar" to what they possess. In Western countries, even the wealthy gigantic corporates are their targets. 

Then some people stood up and vowed that this "permission culture" was not the thing they want but that they valued the joy of sharing and recognition of their idea more than money. They realize that whether  or not a piece of work can generate profit relies on the popularity but not the promise of law. In software industry, some vendors introduce the idea of "SAAS" (software as a service) and support the open source movement. In creative industry, some artists start to release their work free of charge to the public for gaining the  popularity and make their money from the provision of service. Thus a number of free license like "creative common", "copyleft", "wiki-common" or "GPL" were created to get around the restriction of copyright which is granted to the creator automatically as a natural right by most of the prevailing legal systems in our world. To the astonishment of a lot of ordinary people, in just a few years, more and more authors have joined the camp of "free culture" and released their work under various kinds of free license.  They contribute their effort in building a more beautiful world. 

However, do not confuss piracy with "free culture".  Advocates of free culture only share with others their own creation but not pirated property from others. Actually, they respect the right of the author of all intellectual property. Whether or not to release their work under free license remain their own choice. 

This point is important when using our hyper-links to these 3rd party web site providing free resources to artists all over the world. We respect the will and the right of the author of all intellectual properties. When we provide the information and hyper-link of these web-sites, we believe that their activities and content are lawful and ethical. Hence, before you visit those webs, please read our disclaimer once again. If you find any abuse or obsession, please email to "abuse@um-gallery.net".

Taking the most pragmatic point of view, the action of releasing free works to the public may be regarded as a "free demo service" like what a contractor provides in  tendering a quotation for a project. Nevertheless, as a humble person, we should believe in the pure intention of some people who only demand for  echo in return for what they have shared with  the world.

- 11/12/2008